Digital art, now a "classic"
This 2015 spring opens in Paris with new series of works by major artists in the field of generative images and sculptures.
At Charlot Gallery, Antoine Schmitt reaches sensual expression with his series Haute Tension (High Tension). He remains true to his algorithmic use of small spots (which he calls pixels), but now adds color to swarming flows. Two flows enter in contest, if not war, with different patterns for each work. Sometimes, the flow seem nearly static (like fox example an ant heeve), sometimes they generate a quite regular pulsation (with a frequency around 10 seconds, did we feel).
The picture on side gives a poor impression of the real work, where the blue and red waves converge like diplomats and generate spirals in search of a temporary peace.
At Denise René, Santiago Torres enriches his palette of shapes and moves, in particular with striped sheets.
We feel here a sort of maturity and balance if not perfection, like a summit after the ascetif purity of their first works We could say the same about Alain Le Boucher works recently presented at Lelia Mordoch's, or Jacques Peconte (see blog///////).
None of them let place to narration or to interaction (a very small place for interaction in some woks of Torres). Then
Schmitt Haute Tension
Schmitt.
bichrome R/B R/Y
Flow on a central struture, pulsating
No interacdtion, no narration
+ the classics by partnership
SPÉCIAL DÉDICACE > SALON du LIVRE — PARIS — stand K108 / IDEFI-CréaTIC :
Ghislaine Azémard, 100 notions pour le crossmédia et le transmédia, Samedi 21 mars 14h-16h
Marc Veyrat, 100 notions pour l'art numérique, Dimanche 22 mars 11h-13h
https://www.facebook.com/pages/Créatic-Idefi/799555786756548
Silencio
Le Boucher
Schmitt
Books
Schmitt
Mon sapin
We say sometimes
P.B.
DICCAN'S PARTNERS:
Paris ACM Siggraph, the French chapter of ACM Siggraph, worldwide non-profit organization of computer graphics.
