Eric Vernhes: on the Line of Flight
Mar.28 - May 18, 2019, Paris . More
Vernhes uses different formulas of interactive video to illustrate the life "line of flight". As always at Charlot's, you can also buy prints generated from the videos.
From the press kit :
You can build a whole life on a wonder or intuition you had as a child. There are memories that we must constantly «dig» and decline, because at the heart of these initial fascinations are intuitions about a reality that is beyond us. Our role, for our entire life, then becomes to give form to these intuitions to reveal, to oneself and to others, this hidden truth. Paul Virilio, who died last year and to whom this exhibition pays tribute, has thus built his philosophical thinking on the basis of a striking image of his childhood: the one of the horizon and the maritime and air attacks off Nantes during the Second World War. Paul’s recent death was the catalyst for formalizing a project on these founding images of a singular life course, on this moment of grace when a particular sensitivity is called for to develop a very fine and relevant appreciation of the reality that fills the child, truly «impressed», with an inspiration for the life to come.
«Negative Horizon», «Ligne de fuite» and «Ektachrome»
are three interactive, electronic, cinematographic and sound installations.
So many attempts to evoke and enter into this landscape in perspective that
carries the destiny of the observer towards this idealized point, called «vanishing
point», where parallels seem to meet. The term «line of flight*
(ligne de fuite)» is to be understood here in the sense given to it by
Deleuze and Guattari: «It is the line that promises us emancipation, deliverance
and liberation. We understand that leak lines do not lead to a future but to
a becoming. Unlike the fixed, pre-established destiny, there is this line, which
allows us to feel the being within us, to feel rid of the yoke.»
He "has developed a career as a multidisciplinary artist with a resolutely
humanist approach. The digital processes he uses are extracted from their technical
context to serve a timeless discourse inspired by literature and philosophy.
The demanding aesthetics, as well as the use of noble materials, move us away
from the manufacturing processes of engineering to bring us closer to the humanity
of the gesture. "
See Vernhes in diccan and Our posts abour Verhnes