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Chatonsky

Chatonsky: L'abri (2014).

Last revised 10/15/2014.

Multimedia (interaction, video) works with social themes and philosophical notations. The digital tools play an important role in his oeuvre, even though they are perhaps note at the core.

- See his blog.
- A member of Incident.net collective.

Some events and references

2016
> The augmentation of things . About augmented reality. Web page.

2014

New works : Art (A random assembly of cuts from X Factor). L'abri, Les cathédrales de Rouen (Reconstruction in a 3D model of Rouen's cathedral, from Google referenced pictuer. Statures (digital prints), Sleepless.today (a 24 hours Internet fiction).

New posts:
Pour en finir (encore) avec l’art numérique,
La référence,
Esthétique de la disnovation
Disruption,
Matérialisme digital,
Les “nouveaux” médias

< Capture, generative netrock. Centre des arts d'Enghien, 2014. A lot of pictures and text. Catch what you can, there are some pearls. It was published in relation with a show named "I'll be Your Mirror", after a song by Velvet Underground, 1966. The expo is supposed to be accompanied with pop generatie music, 24/24, 7/7. It's certainly generative. But pop? We remain dubitatve.
> L'abri (2014). Digital print on aluminum.

2013

> Hisland (2007). Digital enlargement of his own fingerprint. In the collections of FMAC (Fonds municipal art collection, Paris City). HD vido projection and sound, at Show Off 2013.

Chatonsky: Hisland

- New works
> Imagebar
> Memories Center
> Capture Videos. See the Dedicated website.
> Autosuggestion III
> I am what I'm
> Netarts.

2012

- Takes part in Printing Error show (2012-2014), at Jeu de Paume (Paris). Curated by Alessandro Ludovico, this online expo hosts internattional artists and collectives: Gregory Chatonsky, Benjamin Gaulon aka Recyclism, Olia Lialina, Julian Oliver et Danja Vasiliev, Jonathan Puckey, DuroSport Electronics, Do it yourself book scanner. Our (short) note.
- Protofossiles
- Inflating Shanghai
- Fossilisation-ii
- Fossilisation-i
- Shanghai ranking of universities
- Paume-ii
- America--America
- My Life as a robot

> I don't know what I do wih myself (2007). Presented within "Québec Numérique" at Gaité Lyrique, Paris 2012.

- Résidence at iYiTang, Shanghai. New works:
. In the meanwhile
. Spiders
. In the Theater
. Franges Atlas
.Ten Words, one text
. The Studio
. Arithmophobia
. The image of the text
. Ledge

- Après le cinéma,an exposition organized by Julie Miguirditchianand t Philippe Franck, in Brussels, showing the works: Leurs voix, Spiders, Dislocation IV, La révolution a eu lieu à New York, Dance with me, Dance with US, President, Enemies, Hisland, Traces of a conspiracy, Vertigo@home, Interstices, Father, Se toucher toi, Readonlymemories, World State, 1+1, 1+1+1+1+1+1+1+1+1+1+1, Desert III, Laocoon

Before 2012

- Forest II (2011). The artist's hand, tied to a robot, draws trees according to stock exchange data.
< Capture. Editions HYK, 2011. "Une monographie des créations de Gregory Chatonsky... inventorie minutieusement chaque oeuvre, offrant un descriptif précis en notifiant, par exemple, le minutage et les logiciels employés, s'il y a lieu".
- Expositions in Sept. 2011. A messsage by the author.
- Ce que la programmation fait à l'art. Regards croisés avec Antoine Schmitt, Grégory Chatonsky, Samuel Bianchini et Douglas Eric Stanley. 20 pages dans [Lartigaud].

< Capture, by Grégory Chatonsky. HYX and the authors 2010.
> I just don't know what to do with myself. about fingerprints (Shown notably at Scopitone festival in Nantes, 2010).
> Dislocation IV (2010). Logiciel de destruction urbaine et de dessins (sélection Digitalarti)
- Cité par [Popper] pages 53 54 217 et par [Couchot 2] page 252- [Popper2] 359-362 

> Capture (2009) Cited with picture in Artpress2 Art in the digital age, May-June-July 2013
> The Forest I (2009). Nasdaq financial data are transformed, real time, to a forest of pixels and synhetic voices.

> Hisland (2008). Installation générative qui, à partir de votre empreinte digitale, réalise un paysage de glace (sélection Digitalarti).
> Se toucher toi (2004). Cité par [Moulon] et par [Forest 2] avec photo.
> Incident in the Last Century : Sampling Sarajevo (1998)

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