Noms communs A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | Q | R | S | T | U | V | W | X | Y | Z
Noms propres A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | Q | R | S | T | U | V | W | X | Y | Z| ACCUEIL

L'art Génératif. Complements to the book text

Return to summmary. See Index

2.8. Dance

Diccan note about dance.

2.8.1. The basic performance

2.8.2. Myriam Gourfink : sensors for breahting

2.8.3. K.Danse  : life/virtual dialectics

K Danse. Relate the living body with the visual body

K.Danse develops a choreographical writing, connecting the living body to visual body (i.e. shown, or virtual). Hence are born realizations combining contemporary dance and digital art.
The technologies include :
- communicating clothes and interactive dance carpet (Escales Tactiles 2010-2011)
- physiological sensors (Echo Room 2009, Para_site 2007)
- programmed art (Gameplay 2005)
- sound and image interactivity with Max/Jitter (Nuit Ecran 2006, Lovely user 2004/5)
- body sensors, interactive 3D and motion capture (Icare Ecart 2003)
- internet (Danse e-Toile 2009, Fronter@ 2004, Danse et Toile 2002)

2.8.4. Spideka

2.8.5. Benoit Maubrey

2.8.6. Kulka Irena

Références

- De l'une à l'autre. A collective work, about Gourfink among others. Contredanse, Bruxelles 2010.
- La boutique de Contredanse