2.10. Circus

Some other notes in diccan.

2.10.1. Generativity through risk

The specific generativity of circuls stemps from the risks taken by performers, engaging their own body. From this standpoint, Stelarc experiences can be seen as a kind of "circuls".
Archaos

Noms communs A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | Q | R | S | T | U | V | W | X | Y | Z

Noms propres A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | Q | R | S | T | U | V | W | X | Y | Z | ACCUEIL

L'art Génératif. Complements to the book text

Return to summmary. See Index

2.10. Circus

2.10.1. Generativity through risk

2.10.2 Mark Pauline : the grand circus

2.10.3 Hashiya Kazuhiko: trouble the perception

2.10.4. Du Zhenjun

2.10.5 amcb (ex. Cie-AdrienM ) : juggling

2.10.6 Marcel-LiRocca

Noms communs A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | Q | R | S | T | U | V | W | X | Y | Z

Noms propres A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | Q | R | S | T | U | V | W | X | Y | Z| ACCUEIL

L'art Génératif. Complements to the book text

Return to summmary. See Index

2.10. Circus

2.10.1. Generativity through risk

2.10.2 Mark Pauline : the grand circus

2.10.3 Hashiya Kazuhiko: trouble the perception

2.10.4. Du Zhenjun

2.10.5 amcb (ex. Cie-AdrienM ) : juggling

2.10.6 Marcel-LiRocca

Noms propres A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | Q | R | S | T | U | V | W | X | Y | Z | ACCUEIL